An interesting take on something old. In this case the Raga.
"A raga (Sanskrit rāga राग, literally "colour, hue" but also "beauty, harmony, melody"; also spelled raag, rag, ragam) is one of the melodic modes used in Indian classical music.
It is a series of five or more musical notes upon which a melody is made. In the Indian musical tradition, rāgas are associated with different times of the day, or with seasons. Indian classical music is always set in a rāga. Non-classical music such as popular Indian film songs or ghazals sometimes use rāgas in their compositions."
and the description,
It was originally made in 1982 by a Bollywood soundtrack composer, intending to capitalise on the disco phenomenon with a combination of centuries-old classical Indian Ragas set to a disco backing. To achieve this Charanjit used a prototypical acid set-up of Roland TB303 bass melody sequencer and TR808 drum computer together with a Jupiter-8 keyboard. He basically created a sound which mirrored, and more importantly, pre-dated the first acid house record - Phuture's 'Acid Track' by five years, and even preceded Chip E's 'Jack Trax' in 1985. It's no throw-away novelty record either, instead capturing the hypnotic potential of acid music in the most ornate and scarily prescient fashion, making explicit the similarities of infinitely arpeggiated bass sequences and pure electronic pulses that would soundtrack dancefloors for the next 30 odd years. The more cynical among you will probably be thinking this is Ceephax or Aphex Twin delivering one of the most elaborate in-jokes of their career, but with the gatefold sleeve depicting the original sleeve and some in-depth liner notes from the label and Charanjit, our cynicism is waning in favour of absolute shock and awe. 'Ten Ragas To A Disco Beat' is vintage futurism of the highest calibre, and made all the more amazing by the fact it came from India, a place hardly renowned for its electronic output! This is a remarkable record and comes with our highest recommendation .......