Since I'm making a ski flick this year, I want to know what exactly you guys want to see in a movie? What type of music do you like, what kind of tricks do you want to see? Do you want more urban rails, more backcountry, or park? flash productions http://flashpro.iwarp.com
its going to have more rockish songs, faster beats, music like the who, eric b and rakim, maybe some led zeppelin, and blur.
all im telling you so far is that the trailor is going to have the who - wont get fooled again as the song, and the crash segment is going to be blur - song 2 flash productions http://flashpro.iwarp.com
Never shall innocent blood be shed, yet the blood of the wicked shall flow like a river. The Three shall spread their blackened wings and be the vengeful striking hammer of God.
a professional look. Professional style filming, editing and skiing all in one. Eunique shots and eunique tricks/jibs. Songs that match the skiing, not all hiphop or punk, throw a little 80s or somthing in there to mix it up. Lifestyle shots also give the flick a good 'in touvh with the rider' feeling. umm ya thats a good start.
fuck shit ass cunt
'ah memories...i remember whacking off to that show a few years back...right after howard stern' - alpentalik
focking hardcore skiing with good music with some fucking hardcore editing and hardcore sexyness yea, o and editing that fit to the riders is the shit just like every segment from dash longe and dave segment in In the haze
i wanna see the whole process of filming, not just the guy nailing the trick, like when theyre sittin above the in run thinkin about it and theyre falls and shit, but i think plehouse films is doin that
'why would those comercials make u want to have a period'
'so i can have 7 to 10 days of nothin but partyin'
anyways, i wanna see more stuff like cr's rail session in sm3, where he hit 4 or 5 in one shot. scenes along those lines would be sick. as well, whole slopstyle-like runs while in the park would be nice.
dont just throw shot after shot after shot at us. take some time between jumps/rails/cliffs, w/e to talk to the rider before he hits the jump, get right in the riders faces, get it real up close and personel. and make the music match the riders style. dont go for one music type in the movie just always keep it in sync with the riders style, thats what looks the best. and a good hearty mix of urban, backcountry and park is always good. ohh and set up something unique thats urban, real unique, something that has NEVER been done before ever in the history of skiing, thats what i want to see in a ski movie.
i think i think i like it like thata
*Official Martha Stewert of NS*
but for cameras were using a Canon Gl1, maybe a Sony DV (dont know what kind) with a wideangle lens, and I'm planning on getting a Canon Optura 200MC with a wideangle .50 lens flash productions http://flashpro.iwarp.com
I want to hear the skiers speak, here them see them give their opinion on stuff like comps and new tricks. interviews are awesome. and i wanna see some one do a backflip and the camera to rotate withem so they are always vertical on the screen and the jump rotates around them.that would be awesome
Crane cams, they should get more creative with running wires (to run the cameras a long). It'd be sick if they could lay one down the side of the mountain and get the skier to ski down next to it. Cameras stationed on steep descents more often would be good, distant shots and helicopter shots are gay because they don't give a good indication of the steepness of a run. More of a set up to what it being shown, like the Bella Coola trip segment in Ski Movie 2 was really good. More creative rails, urban rails, kickers over busy roads or something (prob been mentioned many times before).